Happy Thanksgiving!!! Here’s a simple playlist with a few songs about giving thanks. Fire it up while you’re cooking this morning…and after that, pull up the Streaming Audio player for more great gospel as you get ready for the Thanksgiving festivities to begin. Have a wonderful day…and THANK YOU for following this blog!!!!
Thank You LordRev. James Cleveland & The Charles Fold Singers6:17
Thank You LordRev. James Cleveland & the Southern California Community Choir5:17
Lord I Thank YouDr. Charles G. Hayes & The Cosmopolitian Church Choir5:52
O Lord I Just Want To Thank YouThe Sixth Jurisdiction of Illinois State Choir COGIC6:01
Miracle (Thank You Lord)Rev. Timothy Wright13:35
Oh Give ThanksDallas Fort Worth Mass Choir6:32
Thank YouThe Twilights2:41
I Just Want To Thank YouMt. Zion College Choir7:49
I’m amazed at what I don’t know. I tripped across this song this morning, and it just took me and GRABBED me. Whew…sooooo powerful. And those Muscle Shoals musicians add so much to the song.
The question. IS THIS A GOSPEL SONG…a TRUE GOSPEL SONG?? Because even though it is performed by the incredible Ms. Alicia Keys, and backed up be an awesome Baptist Church choir, it was written by a white man; Bob Dylan, for his “Saved” album released in 1980.
A nice piece of contemporary R&B gospel from Karen Clark-Sheard’s 2nd album released in 2002. Karen was of the members of the FABULOUS Clark Sisters from Detroit Michigan.
In 2001 Karen was faced with a life-threatening crisis when a blood vessel burst during a scheduled hernia surgery. Her doctors only gave her a 2% chance of survival due to her complications. After the blood clot was surgically removed, Karen fell into a coma. The coma lasted three and a half weeks, but she made a miraculous recovery. Despite citing hernia surgery, fans continue to speculate that she had undergone a gastric bypass operation which led to the complications of hernia and brain aneurysm because after the ordeal Sheard returned in 2001 looking 1/3 of her size.
Though the release performed well on the charts and Karen’s vocals were in excellent form, the slick contemporary R&B production was not openly embraced by her core audience of traditional gospel music listeners.